Scorsese’s most underappreciated triumph to date is ripe for rediscovery.
This fever dream of a heist film features a ferocious turn from country music icon Johnny Cash.
The film is a loving yet obsessive parody of the stereotypes that stand between generations.
Arrow’s box set feels like the definitive home video release of Rodriguez’s trilogy.
The film gets a strong video presentation that’s free of any signs of damage or debris.
The film strikes a delicate balance between funny and truly creepy.
Last Year at Marienbad is a haunting study of memory, persuasion, and obsession.
Bad Company proves unwaveringly distrustful of adults and authority figures.
Prime Cut is a grimly off-kilter crime film that examines the line separating man and beast.
Lenzi’s Nightmare Beach is a gonzo slice of late-’80s Italian horror.
Demons is a monument to the horror genre’s potential for Grand Guignol beauty.
Brooks’s film epitomizes his singular voice in the varied comedy landscape of the 1970s.
Karlson’s doom-laden noir looks as gorgeous as the film is nasty on Kino’s Blu-ray.
Warner’s disc looks magnificent in native 4K with Dolby Vision enhancement.
A classic of the L.A. Rebellion gets a gorgeous transfer and several indispensable extras.
For Mendona Filho, to reflect reality isn’t enough, as cinema has to find its own truth.
The films assembled in Arrow’s box set testify to Mastorakis’s skills as a pop-cultural bricoleur.