This year’s edition of the festival is a cinematic cornucopia unlike any other.
Hwang discusses his expectations for the autobiographical play now that it’s on Broadway.
To celebrate the VMAs’ ruby anniversary, we ranked all 40 video of the year winners.
Wilson discusses the influence of Kore-eda’s After Life, the film’s mirroring structure, and more.
Anger and Young discuss their symbiotic partnership on the set of the meta film.
Silver and his two stars discuss their endlessly rewarding collaborative process.
Death Will Come is a conspicuously de-glamorized tale of violent characters on society’s fringes.
The exhibition encourages a critical perspective on movie props and the world they come from.
These found-footage films further solidify Jude’s status as one of our most vital artists.
From its controversial video to its current resurgence, the song has a storied history.
Donaldson discusses her choice to let her main character sit in silence for so long.
On the occasion of the release of Deadpool & Wolverine, we ranked all the films in the MCU.
Wang discusses what the Sundance Directors’ Lab taught him about the film’s toughest scene.
The singer’s videography remains one of the most eye-popping of the 21st century.
The pair discuss Michael Powell and Emeric Pressburger’s desire to make films for the world.
Perkins and Monroe discuss working with Nicolas Cage, the film’s influences, and more.
It’s Not Me begins with a modest “I don’t know” as a riposte to a proposed riddle.