The series has morphed from a “social experiment” into TV’s most complex competition.
Jia discusses why he thinks the shifting nature of society has also shifted our conception of time.
On the occasion of the release of Thunderbolts*, we ranked all the films in the MCU.
Saxon discusses what he sees as the relationship between technology and nature.
As we approach a year of Brat, we took a look back at Charli XCX’s discography.
Kulumbegashvili discusses why she wants to sabotage expectations every time she makes a film.
Check out our ranking of all the Palme d’Or winners since 2001.
Ahn talks about what he hopes audiences will take away from his spin on the material.
Cronenberg discusses the pull of A.I., taking to the dead, and the optimism of the film’s ending.
Garland and Mendoza adhering to a Dogme 95-esque code of purity while making the film.
Williams discusses working with Sarah Snook and adapting Oscar Wilde’s legendary novel.
Gomes discusses the film’s “ping-ponging” dialectic, interpretations of the film, and more.
The French filmmaker discusses how he formalized a Freudian gaze for the film.
Lesage discusses the struggles faced by more than just youth across his films.
Nyoni and Susan discuss how they collaborated to develop the inscrutable character of Shula.
Lund discusses how Wiseman, the legacy of baseball movies, and criticism influenced Eephus.
This list is part sheepish capitulation to the role the Oscars have played in our lives.