Hwang discusses his expectations for the autobiographical play now that it’s on Broadway.
The play examines the provenance of a photo album from Auschwitz.
Mac discusses experience of starring in Sarah Ruhl’s show and the projects waiting in the wings.
Shaw discusses the creation of The Shark Is Broken, his memories of the Jaws set, and more.
Nair discusses the importance of bringing her most popular movie to the stage and more.
Sher discusses how Camelot speaks to our current turbulent era of national politics.
Hare discusses his particular take on Robert Moses and the kind of theater he favors.
Paula Vogel discusses why she thinks her play has remained sadly pertinent over the past two and a half decades.
The indomitable cabaret duo discuss their upcoming show Kiki & Herb SLEIGH at BAM.
The Public Theater’s associate artistic director discusses the genesis of his ebullient production of Shakespeare’s play.
Busch discusses his latest comic tearjerker, an homage to a rather unknown spate of movies from the early 1930s.
The actress discusses her connection to New York, working with director Daniel Sullivan, and more.
The dramatist and his husband, producer Tom Kirdahy, discuss what makes Frankie and Johnny so enduring.
Fiennes discusses his affinity for Russian culture and exploring Nureyev’s life in nonlinear fashion.
The filmmaker discusses his relationship to art, the influence of Elia Kazan on his work, and consulting with Gerhard Richter.
Everett discusses his passion for Wilde and bringing his labor of love to the screen.
It’s clear that at 70, the trail-blazing author of the seminal work Gender Outlaw is still a formidable force to be reckoned with.
We spoke to the Belgian-born titan of the theater about the experience of bringing new life to Visconti’s provocative The Damned.
Twist discuss his work, new and old, and the direction he’s going in as we approaches 50.
If there’s a constant in Jordan Harrison’s body of work, it’s his ability to surprise.