Drucker discusses how she handled Breillat’s precise and often “tyrannical” directing style.
Gershon discusses what makes the film such an enduring and endearing queer cinema classic.
Ghostlight isn’t shy about spotlighting parallels and resonances between life and art.
Potente and Tykwer discuss why the film is like a playground for audiences.
Nash discusses where he drew inspiration for cross-pollinating styles for his debut feature.
Interview: Richard Linklater on ‘Hit Man,’ Playing with Identities, Working with Glen Powell, & More
Linklater discusses whether people’s identities can change with enough will power.
The brothers discuss the film’s roots, giving the actors secrets at the start of each day, and more.
Hamaguchi discusses the evolution of his approach to dialogue and camera movement.
The filmmaker brothers discuss how Bigfoot straddles the human and the animal world.
Loach discusses the connection between form and content throughout his body of work.
Bonello discusses The Beast and Coma, his understanding of time and the self, and more.
McKay discusses the connections between his two latest performances.
Rohrwacher and O’Connor discuss the ethereal qualities of the film’s main character.
The filmmaker discusses his approach to depicting the present day as a historical moment.
Chernov discusses what guides his camera, Russia’s weaponization of disinformation, and more.
Bold, often brutal declarations of duality are baked into the reflective structure of the film.
The film is a mesmeric but frequently muddled exploration of transgender self-actualization.
Manning Walker discusses what different audiences have made of the film’s ambiguities.
The film’s storytelling structure befits the female experience in American politics.
Avilés discusses why it’s important to be in touch with a collective consciousness.