Radhika Apte’s performance is the furious, beating heart of the film.
Eli Craig’s film works precisely because it plays things straight.
The film is half a typically broad Paul Feig comedy, half imitation Gone Girl.
The series largely coasts on its breezy vibes, but it’s tinged with melancholy.
The film is far from original, but it successfully translates game logic to the big screen.
The strength of Michael Angarano’s film is that it knows how to keep things moving.
The series simply makes us sit with the awful uncertainty of it all.
The series is darkly funny, deeply sweet, and bracingly honest.
The show’s comedy is at its best when it gets a little dark and more than a little pointed.
This is an immensely likeable film, thanks largely to the chemistry between its two leads.
McVeigh’s ominous atmosphere is omnipresent, clinging to Timothy like a dog to a bone.
The mix of superhero story and legal drama remains a winning formula.
In a work as emotionally devastating as this, the performances are everything.
Visually, the film conjures the same sense of dreamy disorientation of Coralie Fargeat’s work.
The series suffers from lackluster fight scenes and thin characterization.
The film is full of little moments that speak clearly to the particularities of father-son bonds.
What the show’s storytelling lacks in sophistication it makes up for with sincerity.
This is an unrelentingly funny movie that happens to be about the after-effects of sexual assault.
Geeta Gandbhir’s film is a trenchant indictment of laws that facilitate white vigilantism.
The sharply written series delivers a near-perfect balance of bitter and sweet.